H bombs fall on Wanna Sip. Synthesisers imitate the buzzing noise of the projectiles at the beginning of Cry Cry Cry (first record by Fever Ray in 8 years), but the only mass destruction weapon of mass destruction is Karin Dreijer’s voice. This Swedish artist had already chewed and spat out poison on The Knife’s last record, but the exorcism comes now: on every corner of this labyrinth one hears a disturbed and disturbing shriek, on every corner another minotaur to face and overcome. A political, feminist and sexual manifesto where pop goes hand in hand with unease.
Ville à Dômat 