Category Archives: Música

Music by Bergman: Far Caspian

Leeds quartet Far Caspian habitually move with style and panache while their latest effort “Blue” is no different. Oscillating between dream-pop and post-punk undertones, the group brings their infectious sonic resonance into a halcyon soundscape worth spending time in. Warm and soul-comforting, Far Caspian’s brand of dreamy rock is polyrhythmic, displaying the band’s sharpness and skills once again.

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Best Covers: Boy Azooga “Do the Standing Still”

Welsh band Boy Azooga released 1, 2, Kung Fu!, their debut album, earlier this year via Heavenly. Led by Cardiff’s Davey Newington, the band incorporate a variety of influences into their idiosyncratic style, including ’90s alt riff rock, Mac DeMarco-type underwater romanticism and that indescribable Welsh magic (see Super Furry Animals and Cate Le Bon).

Meanwhile, they’re releasing a cover of “Do the Standing Still” which was a single byshort-lived Welsh punk band The Table.

Introducing…NANCY

NANCY, the enigmatic English dream-pop project of an as-of-yet-unnamed singer-songwriter, has released the second single, “French Cinnamon,” from their forthcoming debut EP Mysterious Visions.

NANCY first emerged on the scene with a cover of Nancy Sinatra’s “Boots,” and their love of vintage-pop stylings has become an important component in their androgyne-glam shell. NANCY’s songs find FM radio gold corroding into strange, misshapen forms.

Divus Julius presents…Teleman

Teleman have always stood apart because of their constant desire to have fun. Signed to Moshi Moshi in 2012, the four-piece return with a third album that continues this fine tradition.

While they’ve always dabbled, ‘Family of Aliens’ is the band’s first out-and-out dance record. ‘Cactus’ recalls Hot Chip at their pomp, its driving bass line underlying the track – while there are some exquisite psychedelic touches that feel like they’re straight out of a sci-fi disco. ‘Submarine Life’, meanwhile, reveals them at their weird and wonderful best, and could reasonably pass as a track left off ‘Random Access Memories’. Tonight in concert at Razzmatazz.

The muses of La Musa: Buzzy Lee

Buzzy Lee is the mask behind which Sasha Spielberg hides. Yes, those Spielbergs. Her dad is Steven Spielberg, and now the cat’s out of the bag. But Sasha has spent all her career running away from the privileges associated with that surname and has never put it out there. That’s why she set up a weird-folk band with her brother Theo in 2010 and called it Wardell, rather than Spielberg Sons & Daughters. For the same reason, also, she later got together with her high school friend Nicolas Jaar and started the indietronic duo Just Friends. Now, in the same spirit of discretion and self-assertion, she is debuting solo under another alias (although she is still with Jaar, this time as a producer) with a selection of fragile tracks that float as gracefully and beautifully as water lilies do. Bedroom electronic music that is knocking on the door of the room that Julia Holter used to occupy.

Hit of the week: Andrew Bird ‘Bloodless’

Andrew Bird  has released a track called “Bloodless” along with a new music video. The video, which was directed by Matthew Daniel Siskin, is black and white and features nameless people with their faces blurred out walking the city streets, looking for hope. That hope might possibly be found in Bird himself, who appears playing a violin, appreciating paintings and finding conviction in art throughout the visuals.

Music by Bergman: Girls Name

Girls Names found themselves in an impasse that almost lead to them never releasing a new album, with a drummer gone, an unsatisfying mix of their new tracks and a stress level impossible to manage. They gave up and got back to their full-time jobs, setting music aside to find solace in a more regular life.

Regaining the peace of mind they were missing while working on the first version of ‘Stains On Silence’ eventually led to the Belfast band revisiting the eight songs found here. They started experimenting with techniques they never used before, playing with cut-ups and self-editing, and finally giving the record the shape they were looking for – a dark and gloomy one, so it’s not as if Girls Names have completely changed tack.

Aiming to cut an album fitting the post-punk norm of 30 minutes, the 38 that make up ‘Stains On Silence’ are a disquieting trip into new-wave inspired sounds. Bauhaus are the first influence to come to mind, but Girls Names sound is mellower and more sophisticated, without losing that signature dark shadow.