Category Archives: Atzucacs

Hit of the week: King Tuff ‘Psycho Star’

King Tuff, the moniker of raucous shredder Kyle Thomas, returned last week with “The Other”, his first new song in four years. It was a spare, melancholic track, a marked departure from the jams on 2014’s Black Moon Spell. Now, Thomas has returned with another new song, “Psycho Star”, as well as the announcement of a new album. Called The Other, it arrives on April 13th.

Advertisements

Hit of the week: We Are Scientists “One In, One Out”

We Are Scientists, the New York based alternative rock act has released a new single “One In, One Out”, along with an accompanying tech-y and visually fascinating music video. Simultaneously, the band also revealed an upcoming album titled Megaplex, which is the follow up to 2016’s Helter Seltzer and is due April 27th.

Hit of the week: Fischerspooner ‘TopBrazil’

The iconic group Fischerspooner return with their first album in almost a decade, ‘Sir’, released February 16, on Ultra Records. Produced by Michael Stipe, it also features additional production by BOOTS (Beyonce, Run The Jewels) and mixing by Stuart White (Beyonce’s ‘Lemonade’) and Andy LeMaster. Fischerspooner share their new single TopBrazil off their upcoming album, ‘Sir’,

Hit of the week: Editors ‘Magazine’

Editors will release their sixth album in March. It’s called ‘Violence’ and is the follow-up to 2015’s ‘In Dream’, and will be released on March 9th.

Tom Smith and co. have also made the first song from the album, ‘Magazine’, available online. Smith said that the song ” is a pointed finger aimed at those in power…some corrupt politician or businessman…a character, and a tongue in cheek poke at the empty posturing and playing to the masses of the power hungry.”

 

 

Hit of the week: Superorganism “Everybody Wants To Be Famous”

Superorganism, a collective of pop wunderkinds pulled from all corners of the globe, including the UK, Japan, and New Zealand, made a splash in 2017 with their debut single “Something For Your M.I.N.D.”. Their follow-up releases, “It’s All Good” and “Nobody Cares”, continued to earn them more attention, such as seals of approval from Frank Ocean and Vampire Weekend’s Ezra Koenig and a deal with indie record label Domino.

Now, the group is looking to carry over some of that hype into the new year with a fresh track called “Everybody Wants To Be Famous”. It’s an effervescent song that capitalizes on all the bright spots that have made Superorganism a super specimen of an act — there are synths that bleep, swirl, and seem to change color, whimsical vocals, and an unstoppable energy.

Hit of the week: Franz Ferdinand ‘Feel The Love Go’

Franz Ferdinand release ‘Feel The Love Go,‘ the new single to be taken from Always Ascending, their forthcoming album on Domino out Friday, February 9.

The track is accompanied by a video by acclaimed director Diane Martel (Miley Cyrus, Charlie XCX, Justin Timberlake). The video, shot while the band were in Los Angeles recently, has the feel of a public access TV religious show and sees frontman Alex Kapranos cast as an unhinged evangelical preacher.

Always Ascending is the band’s fifth album and was recorded at RAK Studios, London and Motorbass in Paris, with the help of French producer extraordinaire Philippe Zdar (Cassius, Phoenix, The Beastie Boys). Nothing short of a rebirth, the album’s 10 songs are a triumphant recasting of the group, bursting with fresh ideas and vigorous sonic experimentation.

Hit of the week: The Presets ‘Do What You Want’

Sydney dance veterans The Presets have released their first new single in nearly four years, ‘Do What You Want’.

Julian Hamilton and Kim Moyes revealed that the track is the first taste of their upcoming fourth album. Their last full-length was 2012’s Pacifica, which spawned the massive singles ‘Ghosts’ and ‘Youth In Trouble’.

They tapped a number of friends for help on ‘Do What You Want’, with Touch Sensitive playing bass and Kirin J Callinan on guitars — they even managed to rope in Cold Chisel’s horn section. It was all in pursuit, as the duo said, of creating an “techno version of an Aussie pub rock song.”