Category Archives: Les muses de La Musa

The muses of La Musa: Joy Crookes

Born and raised in Elephant and Castle, Joy Crookes musical journey has garnered Amy Winehouse and Lauryn Hill comparisons. The daughter of a Bengali mother and an Irish father, she grew up listening to an eclectic mix of genres – everything from Nick Cave, to King Tubby, Kendrick Lamar and and as a result she’s curious, passionate and music obsessed – traits that creep into her own creations at every opportunity. Joy’s universally appealing sound and knack for smart, modern storytelling and her candid, fearless attitude has seen grow ever amassing fanbase waiting avidly for her next move.

Now, the 22-year-old British-Irish-Bangladeshi musician is releasing a debut album that makes a strong statement about her identity. Joy Crookes’s Introspective Soul Digs Deep Beneath Her ‘Skin’

The muses of La Musa: Sloppy Jane

Haley Dahl is the 24-year-old frontwoman, bandleader, and conductor of the Brooklyn-based 11-piece avant-rock act called Sloppy Jane. She’s from New York originally, but spent most of her childhood and all of her adolescence living in Los Angeles.

Sloppy Jane has signed to Phoebe Bridgers’ label Saddest Factory. In celebration of the announcement, they’ve shared a video for their new single “Party Anthem.”

The muses of La Musa: Delilah Holliday

Delilah Holliday has grown up. She burst into the music industry in 2012 with Skinny Girl Diet, a band she formed with her sister Ursula and cousin Amelia Cutler. Filled with glorious riot grrrl anger, the trio were out to prove themselves. Going on hiatus a couple of years ago left Delilah space and time to figure her musical identity out for herself; the beginning of that journey is Collective Consciousness – an EP that slinks like Etta James’ Catwoman, moving easily through R&B, soul, dub and trip-hop. Now she returns with soulful new single ‘Dimension’

The muses of La Musa: Courtney Barnett

Melbourne-based singer/songwriter Courtney Barnett first came to light in 2012 when her self-released EP, I’ve Got a Friend Called Emily Ferris, appeared and was roundly praised across Australia. Her conversational, deadpan delivery and garage rock-infused folk-pop style caught the attention of influential website Pitchfork, which named her song “Avant Gardener” one of its Best New Tracks during the summer of 2013.

Some days ago, Courtney Barnett has launched the video for ‘Before You Gotta Go’, taken from her forthcoming album Things Take Time, Take Time – out November 12 via Milk! Records / Remote Control Records.

The muses of La Musa: Lala Lala

A deeply introspective and noisy Chicago-based indie rock project led by singer/songwriter Lillie West, Lala Lala rose from playing basements in the underground D.I.Y. scene to signing with Sub Pop imprint Hardly Art for their 2018 sophomore album The Lamb.


Born in London, England, but raised during her teenage years in Los Angeles, West eventually headed to Chicago where she was a student at the School of the Art Institute of Chicago.

Lala Lala has returned to announce her new album, I Want The Door To Open, out October 8th via Hardly Art. As part of the announcement, she’s shared a video for her new track, “Diver.”

The muses of La Musa: Colleen Green

“Cool’ is Colleen Green’s first record since 2015’s acclaimed ‘I Want To Grow Up,” and the lead single “I Wanna Be a Dog” sees Green celebrate the simplicity of a canine life and question why she’s still overcomplicating her own .

Colleen Green has always been cool, but on 2015’s “I Want To Grow Up,” she didn’t necessarily feel it. Too young to be free of insecurities but old enough to be sick of them running her life, Green was experiencing an existential crisis. Five years and a new album later, we find her parsing out what it means to be grown-up—and realizing that it’s actually pretty “Cool”.


Burnt out on bad feelings and ready to have fun with melodies and beats, Green enlisted producer Gordon Raphael (The Strokes) to take her songs to higher ground while keeping her lo-fi aesthetic intact. 

The muses of La Musa: Hania Rani

Hania Rani is a composer and pianist who splits her life between Warsaw, where she makes her home, and Berlin where she studied and often works. Her compositions for solo piano were born out of a fascination with the piano as an instrument, and her desire to interpret its sound and harmonic possibilities in their entirety and in her own way.

Hania Rani’s sophomore album came out last year in the middle of a global pandemic, its title, Home, likely took on greater significance than when it was conceptualised. The album has been described as a ‘metaphorical journey’ through notions of the home; about places that ‘become our home sometimes by chance, sometimes by choice.’