Adna Kadic’smusic feels as cold as the Baltic at night, painted against a sombre landscape with stirring, heartfelt lyrics.The young Swedish singer’s emotionally-tinged songs bring the softly-voiced star to larger-than-life proportions through hallowed and crushing soliloquies to the night.
Performed on the piano and guitar, Adna’s songs lead with the heart and are poignant and intensely moving. Scandinavian candour and a subtle approach to song writing, Adna has understandably been compared to the likes of Bon Iver and Daughter. Her music portrays the openness that only a young, gifted songstress can, exposing an opaque world through her gentle, tender arrangements.
Adna has shared her single ‘Don’t Know’, and announced her fourth album, ‘Black Water’.
Bon Iver are back. Justin Vernon’s ever-expanding musical project just shared two new songs, expanded their fall tour dates, and unveiled a mysterious website.
The new tracks are called “Hey, Ma” and “U (Man Like).” Bon Iver played the studio recordings for the audience last night at London’s All Points East festival, where they also directed fans to a website called icommai. The site’s most recent post features a number of credits, which mirror the impressive list of collaborators on the new songs.
According to a press release, “Hey, Ma” was produced by Chris Messina, Brad Cook, Justin Vernon, and BJ Burton. It features vocals from Wye Oak’s Jenn Wasner and sampling by Psymun. “U (Man Like)” was produced by Messina, Cook, and Vernon. It also features vocals from Wasner in addition to Moses Sumney, Elsa Jensen, and Bruce Hornsby, who also plays piano on the track. Vernon writes, “This project began with a single person, but throughout the last 11 years, the identity of Bon Iver has bloomed and can only be defined by the faces in the ever growing family we are.”
Four years after their debut ‘Heads of Woe’, Geppetto & Co. travelled from Antwerp to Wisconsin, USA to record their next album ‘Passages’. Under the wings of the great Brian Joseph, the producer of Bon Iver and Sufjan Stevens.
The very first full album by Geppetto & the Whales came out early 2014. This beautifully crafted debut, from this Belgian indie band, sounds mature and young at the same time. It blends beautiful little melodies with overwhelming soundscapes. Geppetto & The Whales have a sound that is both classic and endlessly refreshing. New album ‘Passages’ is out now.
Mavica is composer and guitarist, Marta Casanova, originally from Cartagena and resident in London, where she is currently preparing her debut EP ‘Gone’, a collection of songs that has already taken her to perform in Barcelona, Madrid, Murcia and even Berlin. But it is in the British capital, where Mavica studies music and production and where the young artist has found the place to finally materialize her debut. Folk pop songs with influences that go from Bon Iver to Sufjan Stevens or Amy Winehouse to Ben Howard. On October 29 Mavica debuted in Barcelona, opening for Roo Panes (UK) at the Moritz Factory, the artist dazzled the audience with her unmistakable voice and catchy melodies. Tonight she presents her present her first-ever EP, ‘Gone’ at L’Auditori.
Donegal based singer songwriter Rosie Carney has made a cover version of New York group Cigarettes After Sex’s 2012 single ‘K’. Her work is described as songs that feel lived-in and worn, conveying a bruised ache well beyond her years and her voice has “Bon Iver-esque tenderness, Laura Marling-like strength, and the haunting awareness of both”.
Life is what goes on between one Bon Iver album and another. Or, at least, this is what happens to Justin Vernon. His increasingly complicated relationship with fame and his ego have pushed the author of For Emma, Forever Ago towards unexplored terrains like those of Volcano Choir, The Shouting Matches and now Big Red Machine, a project that actually began years ago when doing a collaboration for a charity compilation together with his brother from another mother, Aaron Dessner from The National. Together they organise utopic festivals (Eaux Claires), create alternative models for the industry (the streaming portal PEOPLE) and they also write music, of course. They are surrounded by so many artist friends that it is surprising that the result of Big Red Machine, the album, is so spot on. It’s a dream crossover, a perfect fit of Dessner’s intimate epic and Bon Iver’s melancholic evocations, of Justin’s experimental laments and Aaron’s astounding progressions. Music as an excuse, as a way and as a purpose.
La primera jornada a ple rendiment del Primavera Sound 2017 al Fórum inclou un cartell plagat de grans noms, on destaquen l’esperat retorn de Justin Vernon i el seu principal projecte, Bon Iver, que presentarà les cançons de pop deconstruït del seu tercer disc, ’22, A Million’ (2016); la magia electrònica de Aphex Twin, que presentarà nou material; la nord-americana i nova reina del R&B Solange, que ha superat en moltes llistes al millor disc de l’any a la seva germana gran Beyoncé amb els magnífics ritmes urbans de ‘A Seat at the table’ (2016); els mestres del metal extrem Slayer; la banda liderada per Greg Dulli The Afghan Whigs, un dels grups més sòlids i versàtils sorgits en la dècada dels 90 als Estats Units; l’elegant soul del cantant i compositor de Los Angeles Miguel; la banda clau dels 60 The Zombies, que repassaran el seu mític disc ‘Odessey & Oracle’ en el seu 50è aniversari; els intensos Death Grips, que portaran al Fòrum el seu últim disc, ‘Bottomless Pit’ (2016); la reunió dels no menys intensos canadencs Broken Social Scene; els pioners del punk i pares del rock gòtic The Damned; la veterana i venerada Elza Soares, primera dama de la samba brasilera; els catalans Mishima, presentant nou disc o el shoegaze expansiu dels gallecs Triángulo de Amor Bizarro.
Radio Magazine about Barcelona's indie and alternative music & culture scene. Live broadcast every Thursday from 10.00PM to 11.00PM and Saturdays from 1.00PM t0 2.00PM at Barcelona FM 100.5