Whilst previous single ‘Bad Blood’ aims for Talking Heads, ‘Teeth’ makes you look silly by destroying all previous conceptions of what you thought Working Men’s Club would be musically; but they help you dance away the smirks regardless.
A lazy review would associate ‘Teeth’ with LCD Soundsystem, however instead there’s more of a Post-punk Kraftwerk at play – coupled with a very prominent Mark E Smith esque vocal – that doesn’t so much invite you to the dancefloor as much as putting a stopper in your dancing shoes.
In short this is perfect evolution for WMC with its obnoxious synths that build throughout before detonating into an indie fuelled samba jam that gets more and more incessant as the track draws on.
LCD Soundsystem released a cover of Heaven 17’s ”(We Don’t Need This) Fascist Groove Thang,” recorded live at Electric Lady Studios. The original “Fascist Groove Thang” was released in 1981 by British New Wave band Heaven 17, and it addressed the rise of right-wing governments in that decade. It focused in on Reagan—in fact, the song was banned by the BBC out of fear of libel charges—but other far-right politicians were included in that gaze, if not by name specifically. It was a desperate song for what appeared to be desperate times. If only they knew. LCD doesn’t change much here, because they don’t need to.
Cherry Glazerr recentdropped their latest album ‘Stuffed & Ready’. As part of the promo run, they stopped in to SiriusXm, where they laid down something special.
While there, the band covered LCD Soundsystem’s ‘Time To Get Away’, taken from the all time classic album ‘Sound Of Silver’.
Sharon Van Etten reportedly hit the studio late last year to begin work on her follow-up to 2014’s impressive Are We There LP. In the meantime, she’s collaborated with artists like Lee Ranaldo, Maggie Rogers, Marissa Nadler, and Michael Cera (yup), in addition to contributing to the Twin Peaks reboot and reissuing her debut album. Now, she’s back with yet another new song to help pass the time, this time a cover of LCD Soundsystem’s “New York, I Love You But You’re Bringing Me Down”.
Filmed as part of BBC’s classical music concert series, BBC Proms, Van Etten was backed on the cover by the Heritage Orchestra for a performance at London’s Royal Albert Hall. The LCD cut is a fitting choice for the series, as this year’s theme is “New York: Sound of a City”.
The British trio’s foray into an electro-funk-rock landscape—inspired by the sounds of Deutsch Amerikanische Freundschaft, LCD Soundsystem, and both Davids (Bowie and Byrne)—has been, for the most part, organic. Artificial Pleasure is barely two year old with some singles , and most of their material is mixed and produced by the band’s members; the London-based group consists of Phil McDonnell (vocals and guitar), Dom Brennan (synths), and Lee Jordan (drums), all of whom were previously part of the band Night Engine.
New Jersey’s cryptic new electronic solo artist, Blood Cultures, has emerged into the local scene with a seductive and well thought-out debut single, titled “Indian Summer.” Although a biography is not provided online, and the one picture available conceals the musician’s face, there’s obviously something humble about this music, that could be described as a complex yet catchy blend of LCD Soundsystem’s fanfare with the ambience of Tycho, complemented by the artist’s own soothing vocals, that sounds like they are coming out from a bedroom’s corner.