US rock legend and ‘Because The Night’ star Patti Smith has recorded an “extraordinary” cover version of the song which got Peaky Blinders off to a flying start right at the very beginning of its city-based gangster odyssey.
The beginning of Nick Cave’s Red Right Hand literally chimed perfectly with the first Peaky Blinders episode screened in September 2013 when Cillian Murphy’s character Tommy Shelby imposed himself perfectly onto the set of an industrial scene brought thrillingly to life with flames and the sound of people making things.
Marina Lambrini Diamandis is a Welsh-Greek singer, known professionally as MARINA (previously Marina & the Diamonds). Diamandis’ musical style ranges from keyboard-based ballads to more up-tempo new wave-style songs with full band backing. She has cited a wide range of influences such as Daniel Johnston, Blondie, Patti Smith, Nirvana, PJ Harvey, Elliott Smith, Dolly Parton, Britney Spears and Madonna.
MARINA released this year her fifth album the acclaimed ‘Ancient Dreams In A Modern Land’
Horses’ second cover, ‘Land: Horses / Land of a Thousand Dances / La Mer(de)’ follows a similarly fused format, this time offering almost 10 minutes of stream of consciousness-type rambling weaved among lyrics from Chris Kenner’s ‘Land of a Thousand Dances’. The track depicts a free-flowing elegy to the ill-fated Johnny, a figure loosely based on William Burroughs’ Wild Boys character of the same name, who is subjected to rape before committing suicide. Imagery of horses appears among the confronting themes illustrated within the song’s lyrics, leading to the common mistake of titling the song simply ‘Horses’ and causing its unanimous recognition as the album’s centrepiece.
The London trio PVA brings together musicians Ella Harris, Josh Baxter, and Louis Satchell in service of danceable art-school pop music combining bits of disco, house, synthpop, new wave, dance-punk, et al. Their latest jam, “Divine Intervention,” is arriving via super-producer Dan Carey’s ever-reliable Speedy Wunderground label (which previously brought us Black Midi, Squid, and Black Country, New Road among others) with production by Carey himself. According to label co-runner Pierre Hall, “It reminds me of Patti Smith fronting Factory Floor,” which is pretty spot-on. The wheel is not being reinvented here, but man is it spinning. Listen below.
Suzi Wu describes her music as “electronic grunge”, yet she draws from inspirations as far reaching genres as psych-rock, all the way to hip-hop. Listening to her EP, Teenage Witch takes these inspirations and pools them together to form a really unique sound that simply can’t be caged in definitions. Her delivery has the appealing drawl of King Krule, her lyricism the punk abruptness of Patti Smith; both spoken word and singing are delivered in an attractive mellow drone, with a trance-like quality that impressively (somehow) simultaneously blends with, and sits on top of, her grungey and driving melodies à la The Jesus and Mary Chain.
Suzi Wu has released the title-track from her new, slightly delayed EP, ‘Error 404’. The release – originally due in January, but now arriving on 22nd March – has already been previewed by the opener, ‘Grim Reaper’.
Anna Calvi’s passionate and brooding goth pop/rock imbibed with strokes of flamenco and smoke-filled blues has filled the warm summer night at FIB with cinematic desire.
Hailed as the “best thing since Patti Smith” by Brian Eno, Anna’s also drawn comparisons with the likes of PJ Harvey and Nick Cave as well as garnering rave reviews and awards nominations for her albums “One Breath” and her eponymous debut.
Radio Magazine about Barcelona's indie and alternative music & culture scene. Live broadcast every Thursday from 10.00PM to 11.00PM and Saturdays from 1.00PM t0 2.00PM at Barcelona FM 100.5