Proto-punk becomes post-punk goth brilliance on Siouxsie and the Banshees’ take on “The Passenger.” A swinging beat and brassy horns breathe new funk into Iggy Pop’s solo fan favorite, originally released on 1977’s seminal album Lust for Life. It was a hit for Siouxsie and the Banshees who released the cover as a single from 1987’s Through The Looking Glass.
Special Interest is a four piece punk band emerging from New Orleans, Louisiana. Combining elements of No-Wave, Glam, and Industrial Special Interest create a frenetic and urgent revisioning of punk and electronic music for a modern world gone mad. Propulsive drum machines, a swirling layer of detuned samples, and a driving bass line create the foundation across which angular guitar work and dissonant synth lines glide. Front and center are Alli Logout’s commanding vocals and razor sharp lyrics moving from high camp satire to insightful political imperatives often within the course of one song.
Special Interest have returned with a new single, ‘(Herman’s) House’, their first for Rough Trade Records. It comes with a video directed by Special Interest and Juicebox Burton alongside vocalist Alli Logout.
The Linda Lindas first played together as members of a pickup new wave cover band of kids assembled by Kristin Kontrol (Dum Dum Girls) for Girlschool LA in 2018 and then formed their own garage punk group soon after. Half Asian / half Latinx. Two sisters, a cousin, and their close friend. The Linda Lindas channel the spirit of original punk, power pop, and new wave through today’s ears, eyes, and minds.
Fueled by punk conviction, this all-girl, school-age band has just released its debut album, “Growing Up,” nearly a year after its song “Racist, Sexist Boy” went viral.
Toronto punk-band PUP stands for pathetic use of potential, and this self-lacerating sense of humour is also apparent through much of PUP’s music. Their upcoming fourth album The Unraveling of PUP the Band is due for an April 1 release.
A quintet formed in the seaside town of Brighton, Squid is one of London’s many promising post-punk bands. With a manic and raucous drive, they have shared the stage with groups such as Black MIDI and Black Country, New Road. Their sound not only includes traditional rock instrumentation but percussion and horns as well. This may seem out of place in post-punk.
Squid‘s nervy debut blazes through scraps of jazz, funk, krautrock, dub, and punk. More than a canonized style, it’s their level of control that sets them apart.
Nova Twins are a genre-bending duo consisting of lead vocalist/guitarist Amy Love & bassist Georgia South. Innovative in every element of what they do as artists, whether that’s performing to moshing crowds & packed out tents, art directing their own music videos or designing & making their outfits for all photoshoots & stage-wear. Described as “devilishly-heavy & vivid punk-rock” by NME, “grunge-pop” by the Independent & “amalgamation of raw punk energy, illegal rave electronics & unapologetic grimey attitude” by PRS. Their debut album ‘Who Are The Girls?’ produced by Jim Abbiss (Adele, Arctic Monkeys, Kasabian) was released to critical acclaim.
Formed in 2018, Brooklyn’s Gustaf have built a kind of buzz that feels like it comes from a different era. The art punk 5 piece rapidly established a reputation as one of New York’s hardest working…and most reliably fun bands, and early excitement about their danceable, ESG-inspired post punk expanded outside of their city with remarkable effect despite having released no recorded music and barely having an online presence.
They have just released their debut album ‘Audio Drag For Ego Slobs’.