Lori Meyers is a Spanish indie-rock band, from Loja, Granada (Spain). Its name is due to the song «Lori Meyers» of the American punk group NOFX that appears in their 1994 album Punk in Drublic. They were formed in early 1998.
Infinite Spaces is Lori Meyers’ seventh studio album . Produced in collaboration with James Bagshaw (Anni B Sweet) from Temples, with whom a creative bridge was created between Spain and England. A collection of 11 songs.
Cada dijous i cada dissabte us regalem una bona dosis de bona música. Divus Julius Bonasera estrena el més nou de Foals, !!!, White Lies, The Growlers, Temples i Marika Hackman entre d’altres. Punxem el nou hit dels Manel i descobrim a nous artistes com Jayda G, Jonathan Bree o Just Mustard.
Dijous 22h. 100.5FM Ràdio Ciutat Vella
Ville à Dômat: The Good Music
Temples were and continue being one of pop psychedelia great promises. As if blessed by the halo and grace of Tame Impala, the formation lead by James Edward Bagshaw debuted with a brilliant Sun Structures (Heavenly Records / Pias, 2014). An album that showed British band’s sound: luminous melodies, rhythms inspired by the sixties and clear references of neo-psychedelia. Despite having set the bar very high, his return four years later with Volcano (Heavenly Records / Pias, 2017) exceeded all expectations. A second album that strengthened his sound by adding a good dose of synthesizers and showed that their excellent debut was not a stroke of luck.
Temples have announced details of a new album. The now-trio will release ‘Hot Motion’, their third full-length and follow-up to 2017’s ‘Volcano’ on 27th September. They’ve also shared the title track from the album, about “the tensions of desire, dreams and nightmares,” alongside a video. Very soon at Vida Festival.
Psychedelic indie rock band Temples have returned with “Certainty,” their first new music since 2014’s Sun Structures. The four-minute track is set to appear on the English outfit’s yet-to-be-titled sophomore LP, out early 2017 on Fat Possum Records. “Certainty” was produced by frontman James Bagshaw and features a whimsical melody, a fuzzy guitar line and heavy synths reminiscent of a 16-bit video game. It’s a track you’d hear pouring out of an arcade somewhere in Alice’s Wonderland.
Ville à Dômat 