Low Island are one of those bands that sum up the feeling of late night driving. Fusing together electronic and acoustic waves to create a jangly yet emotive sounds, Low Island explore the beautiful side of loss. Named after a small rock in the Atlantic they are fans of Arthur Russell, Warpaint, Grizzly Bear and Caribou. Tonight in concert at Razzmatazz.
They are not only a cool image, although you must see how scandalously magical their photos are. The temptation to get hooked on r.e.a.l just for their fashion design is overwhelming. The music by Isabel and Sara is above the rhetoric of fads and capital letters. The experimental electronic pop music, according to their own definition, of these two Madrid-based Galician artists draws you in because it appears before you soft and elegant and very refined. That is until you stretch out your hand and, ouch, it pricks. Like some of the names that they mention here and there in their interviews (Warpaint, King Krule, Jon Hopkins, Olafur Arnalds, Grimes…) their beauty is all the more beautiful because… it hurts.
Warpaint‘s 2014 cover of “Ashes to Ashes” delicately layers harmonic California pop over the Bowie classic, while still emphasizing the dreary mood that surfaced when it first appeared on 1980’s Scary Monsters.
It’s here! Thursday is the first full day of Primavera Sound 2018, with a line-up that, as we’ve come to expect, is extensive and impressive, and starts off with a bang on this day that features headliners such as everyone’s favourite Islandic avant-garde artist, Björk, with her latest album, ‘Utopia’ (2017), on which she collaborated with Arca, who you’ll also be able to catch at the festival; and elegance as music with Nick Cave and The Bad Seeds, blasting out tracks from their emotional and a bit sad ‘Skeleton Tree’ (2016), which they’re performing for the first time in Barcelona. Also getting you moving between stages are Philadelphia band The War on Drugs, who, with ‘A Deeper Understanding’ (2017), have garnered as much praise as with their acclaimed previous album, ‘Lost in the Dream’ (2014), which had the international press kneeling at the feet of their classic rock; legendary band Sparks, that unclassifiable duo from Los Angeles made up of brothers Ron and Russel Mael, who present their 23rd album, ‘Hippopotamus’ (2017); the return of American hip hop artist Vince Staples; electronic and energetic pop from British trio Chvrches, with their much-anticipated new album, ‘Love Is Dead’ (2018); Fever Ray, a solo project for Swedish artist Karin Dreijer (The Knife), who’s also got a new album out, the contagious ‘Plunge’ (2017); electronica from Floating Points, also known as producer and doctor of neuroscience Sam Shepherd, performing live as well as a six-hour DJ set on Friday; Nils Frahm and his experimental electronica; the meloncholy of the all-women quartet Warpaint; iridescent psychedelic pop from New Zealanders Unknown Mortal Orchestra; and American artist Kelela, who impresses with her versatility and perfect adaptation to dominant trends in current electronica and pop.
ALASKALASKA are an art-pop 6-piece from London. They make beautiful, groove-laden music that seamlessly blends jazz, disco, funk and R&B into a bold and playful sound uniquely their own; synthetic beats play alongside live drums, delayed guitars and shimmering saxophones to create something musically rich and delightfully intricate.
Band leader and principle vocalist Lucinda twists brooding and introspective lyrics – akin to the words of Arthur Russell – into infectious melodies reminiscent of Warpaint, Dirty Projectors or Talk Talk, which demand repeat listens and could as easily soundtrack a wistful evening alone as they could a party. They ‘ve just shared a new song: ‘Meateater.’
Warpaint is the name of the angelic Los Angeles quartet formed by Emily Kokal and company. A project that dazzled from their beginning with their EP debut record, Exquisite Corpse (Manimal Vinyl Records, 2009), where the hypnotic and ethereal art rock was already revealed. Record after record they have improved their dark and atmospheric folk sound of shoegaze and psychedelic nuances until their third album, Heads Up (Rough Trade/Popstock!, 2016), where the fog and the mysterious aura of their songs finds its best version.
La darrera nit de Vida promet emocions a flor de pell amb l’espectacle ‘Los Angeles’ de Rosalia i Raül Refree i la presència d’Enric Montefusco i Pau Vallvé, tot això abans d’entrar en el folk atemporal i oníric de Fleet Foxes. Menció especial a la visita a Vilanova i la Geltrú de Mishima, que tornen als escenaris amb nou disc després d’un període d’inactivitat. Les nord-americanes Warpaint i el productor belga The Magician posaran el punt final a un Vida que cada any fa una passa més en qualitat i quantitat.