You know Eddie Vedder as the frontman of classic grunge band Pearl Jam, who were just back in Barcelona in 2018 after a ten-year absence from our stages. And now he’s back on his own at the Palau Sant Jordi with a set list that includes his own songs (though he hasn’t released a solo album since 2011’s ‘Ukelele Songs’), Pearl Jam songs, and covers of tunes by different artists.
El cantante, guitarrista y compositor Kevin Weatherill, líder de la legendaria banda británica de pop que tuvo su mayor éxito a medianos de los 80 con el single que da nombre a la banda, retoma Immaculate Fools después de separar el a finales de los 90 acompañado de nuevos músicos y dispuesto a darle a sus temas favoritos las melodías que siempre buscó. La primera parada de la gira de presentación de su nuevo álbum es hoy en Barcelona, donde presentará sus nuevas canciones y sus éxitos en la sala Salamnadra.
Ryan Bingham’s music defies classification with folk, blues, country and rock n roll all part of the recipe. It’s authentic and powerful and the songs are rooted in real life – in survival and sacrifice and, yes, sometimes just having a damn good time.
Nobody making music today has a voice like Bingham’s, one that has the worn and weary character of an old fighter more than twice his age but the power of a young man. It’s an intoxicating mixture that reaches new levels with the support of his talented band.
Bingham is a singer-songwriter, not a product, and his latest studio album American Love Song movingly shows how the overarching theme of the personal and communal American existence can encompass triumph and tragedy from one moment to the next. Tonight in concert at La Nau.
Certain music is synonymous with France, from classic chanson to rebellious 60’s yé-yé, from “French Touch” electronic music, to the widescreen musical genius of Serge Gainsbourg. But it is the beautifully debauched world of 1970s French Boogie which Corine is resurrecting with her own brand of “erotic disco”. She looks every inch the authentic 70s diva with her distinctive shock of peroxide blonde hair, judicious use of eye shadow, and an extensive collection of jumpsuits. The name Corine is French prostitute slang for cocaine, and she dedicates her music to “the excess of the disco years, Le Palace, and its dancers who never grow tired”. Le Palace was a legendary Parisian nightclub on whose opening night in 1978 Grace Jones sang ‘La Vie en Rose’ from on top of a pink Harley Davidson, surrounded by shining roses and mountains of dry ice. Today in concert at Poble Espanyol.
Eat more fruit. Answer that message from the boy from the other night; honestly it might be worth it. Call your mum more often. And listen to The Beths. This is what the future “you” would say to today’s “you”, or at least to the next May’s “you” when you get to the Parc del Fòrum. The Beths are a band with a jazz formation who don’t mind getting dirty to make pop-punk with glow-worms. Because they are from New Zealand and although that seems far from everywhere, you will see how close it feels. And because that day in the future will come, when you realise that you wasted too much time not being happy because you didn’t listen to the right music. Believe us, you will thank yourself for having let the contagious light and vibe of The Beths into your life… and call your mum, for god’s sake.
Where am I? What is this? The future, the good life or Plato’s cave? No! It’s Aïsha Devi’s galaxy. This producer performs sets where music is not the (only) protagonist. They are a spectacle, an experience. A mixture of extra-terrestrial sounds and philosophical-tantric visuals. The Swiss artist will present her most powerful non identified flying album to date: DNA Feelings. A journey that will take us all on a spaceship to the Devi mystical universe. After this abduction, you will never be the same again. We promise. Today at Primavera Sound.
Tame Impala is Kevin Parker – the almost legendary messianic figure and creative soul who has developed the particular sonic universe of psychedelic pop cultivated with guitar pedals, delays, reverbs and liquid explosions of color. There’s no one like him in the current music scene. We were left in 2015 with Currents, Tame Impala’s third album which ventured further into the pop genre, and added dance beats and R&B that only served to underpin the enthronement of the Australian.
For his fourth album, Tame Impala remained true to his usual impenetrability and stands silent, but we have seen him parade through a number of collaborations: he has shared the studio with Mark Ronson and SZA, he has produced Lady Gaga and Travis Scott, Rihanna covered him on her latest album, he has remixed Mick Jagger and Miguel and has released songs with A$AP, Rocky, Theophilus London and ZHU. So what does all this mean? Well, we know what Tame Impala has been until now, but we haven’t a clue what will happen when he visits the festival again. And that can only be a good thing. Tonight at Primavera Sound.