In just five years, the British post-dubstep duo Mount Kimbie has earned the utmost respect from the press and the great electronic parish thanks to their acclaimed debut, ‘Crooks & Lovers’ (2010). Now, after becoming one of the most respected bands even beyond dubstep, and sponsored by cult label Warp, and after a second album ‘Cold Spring Fault Less Youth’ (2013) they’re back this year with ‘Love What survives”their third album, where the duo of Dominic Maker and Kai Campos venture a bit into the land of pop. Tonight they will pay at Razzmatazz.
Tres anys i una aventura en solitari d’Andy Butler és el que ha passat des de la publicació de ‘The feast of the broken hjeart’ (2014), últim disc d’ Hercules & Love Affair, fantàstic projecte disco que completen Rouge Mary i Gustaph pel qual han passat les veus Anohni, Nomi Ruiz, Kim Ann Foxman o Aerea Negrot, entre altres. Ara presenten ‘Omnion’ (2017), el nou àlbum, on hi canten Faris Badwan de The Horrors o Sharon Van Etten, entre d’altres. Aquesta nit a la sala Apolo.
When Gengahr’s comeback single ‘Carrion’ rolls into life, the most noticeable change from their brilliant debut ‘A Dream Outside’ is the vocals of Felix Bushe. His floaty falsetto has become a snarling, swaggering voice, recalling Deerhunter’s Bradford Cox in its new-found twang. It provides a base on which the band take their sound to darker, heavier places.
Gengahr have announced plans for new album ‘Where Wildness Grows’ which will be set on March 9th, Tonight they play with Jungle at Razzmatazz.
Leeds-based five-piece Vessels have shared the first cut to be taken from their new album, which is set to be released later this year.
Muscular, vibrant and euphoric, ‘Radiart’ is a hearty cut of dystopian techno that’s been cross pollinated with band’s penchant for playing live — and there’s no doubt in our mind ‘Radiart’ is going to be the centrepiece of the band’s forthcoming live shows when their as-yet unnamed new album drops later this year. Tonight in concert at Razzmatazz.
Boniface is a new band from Winnipeg, Manitoba. Boniface released their first single “I Will Not Return as a Tourist” just last week and has already signed a deal with Transgressive Records who is home to artists like Alvvays, Flume, Foals, Two Door Cinema Club and more. The track is overwhelmingly dream-like with its lo-fi production and airy synths. Most importantly, the track’s complexity is what makes it so intriguing; it’s difficult to define the genre it falls under. Some may call it indie while others could suggest it’s experimental.
With a Colombian father and French mother, the New Yorker Gabriel Garzón-Montano genuinely exemplifies the black and tropical movement currently shaping pop. Before releasing his debut album,Jardín (2017), he had already received support from pillars of the music community such as Mayer Hawthorne, who was the go-between between him and his label; Drake, who sampled his voice; and Lenny Kravitz, who called upon the artist to open for him on tour. In his music one can hear neo soul sophistication combined with hints of electronic and an exquisite sense of groove funk served on his own organic lattice. This saturday at Sala Apolo within the festival Primavera Club.
Whilst Fuck Buttons are immersed in the production of their long-awaited new album, one of its two members, Benjamin John Power, continues his explorations in a sphere somewhere between aggressiveness and electronic symphony under the alias Blanck Mass. In March he released his third album, World Eater (2017), which is inspired by the discontent arising from recent events to produce what he actually describes as love songs. Without giving up a certain pop vocation, he presents a brutal, dissonant and always euphoric music on what is probably his best album to date.